Chances are, unless you’re European, you’ve never heard of Valérian and Laureline. The French comic book was started back in 1967 and ran all the way until 2010. The series chronicles the adventures of a pair of space special agents as they try and protect a colony made up of millions of species from around the universe. There is perhaps no better person to bring those stories to the big screen for American audiences than French Director Luc Besson, who brought us the sci-fi classic The Fifth Element.
Dane DeHann plays Valérian, a cocky, but brave and resourceful space agent who is in love with his head strong partner Laureline (Cara Delevigne). Together, the two go on dangerous missions to other worlds and dimensions to recover endangered lifeforms and protect the people and interests of Alpha, the space colony made up of over a thousand planets. When the commander of Alpha (Clive Owen) is kidnapped, it is up to Valérian and Laureline to solve the mystery of his kidnapping and prevent a war within Alpha.
Valérian and the City of a Thousand Planets has an undeniable creativity to it and an acute sense of detail. Every creature has depth to it from its appearance to its backstory which shouldn’t surprise anyone who has seen The Fifth Element. The visuals and sheer scope of this film are breathtaking and most of the action sequences are thrilling.
Despite looking impressive, what keeps the movie from being great or even wholly memorable is undoubtedly its characters. Both Valérian and Laureline feel like stock characters you can find in any sci-fi fantasy novel. Rather than use the story to flesh out both characters as individuals, the movie spends most of its time trying to sell them as a couple. But the romance falls flat mainly because DeHann’s character comes off like a creep. The supporting cast isn’t any better, because they are underutilized. Characters like Rihanna’s shape shifting exotic dancer, Bubble, are barely on screen long enough to resonate with the audience.
A better, less predictable story could’ve made Valérian and the City of a Thousand Planets feel worthy of its stunning universe. You can certainly tell why the concept worked as a comic book and maybe a sequel can do more with its characters. But without focal points for the audience to gravitate toward, the final product is merely a decent film that you won’t care to see more than once.
FINAL GRADE: C